Monthly Archives: January 2007

Concerts – Part 5

Sanjay Subrahmanyan this Season
I went to 7 concerts of Sanjay this season. Needless to say all his concerts were simply superb! His concert at Kalarasana on the 24th of December is the one that I enjoyed the most. To begin with, this one was a 3-hour 24-minute concert. Sanjay was accompanied by S.Varadarajan on the violin, C.S.Venkataraman on the mridangam and Neyveli B.Venkatesh on the khanjira. The Sri Ranjani, Jyothiswaroopini and Karaharapriya (Chakkani Raja was the main song) alapana were all amazing! I loved the neraval and swarams at the line ‘Chintateerchuda Kentamodira’ in the Tyagaraja krithi ‘Entavedukondu Raghava’ in Saraswathi Manohari raaga. RTP was in Lalita raagam (Pallavi – Seethamma Mayamma). He sang the pallavi in Ananda Bhairavi, Neeleambari and Huseni. That was awesome. Varadarajan on the violin was excellent as usual. The claps didnt stop for a long time after each alapana/song. The audience gave a standing ovation at the end of the concert!
Coming to Sanjay’s concert at Music Academy, the Mohanam alapana and the RTP in Brindavana Saranga were the ones that I loved. Incidentally, T.M.Krishna and Sangeetha Sivakumar had also come to this concert.
At Rasika Fine Arts’ concert, he sang Appan Avadaritta in Karaharapriya and Karikalaba in Saveri for nearly 40 minutes each with elaborate alapana of both the raagas. In between these two he sang a very beautiful song in Neelambari, KaaNa KaNNaayiram veNdum, that lasted for nearly 10 minutes.
The last concert of Sanjay that I attended was at Asthika Samajam on 11th January. The Nattakuruji alapana that he sang that day will remain etched in my memory for a long time to come. I don’t have words to describe the way he sang Gopalakrishna Bharati’s song Vazhi Maraitthirukkudhu in a slow tempo with a very beautiful neraval at the line Utru Paarkave. This is the first time I am hearing Sanjay singing each and every word of the song clearly. In contrast to Vazhi Maraitthirukudhu, he sang a very fast-paced Aadum Chidambaramo in Behag. For this concert too, Sanjay was accompanied by Varadarajan on the violin.

Now that the Season has come to an end, I don’t know when his next concert at Madras is on. Am eagerly waiting for the next one.

Guru

A brilliant movie by Mani Ratnam once again! Be it the performance of all the actors or the background score by A.R.Rahman or the cinematography or the picturisation of songs, everything is excellent in this movie!

This week….

What started off as a week filled with confusions is going to end as the best one! I had to take up an exam on Tuesday. Initially it wasn’t confirmed whether I was to write the exam on Tuesday or Wednesday. The whole of Monday got wasted with me mailing and meeting a lot of people trying to confirm the day of the exam. By the time it was confirmed that I had to take up the exam on Tuesday itself, it was Monday evening. After preparing ‘very hard’ for the exam, I went to the building where I was to take up the exam only to hear the security tell me that there was no examination room with the name I asked for, in that building! With less than half an hour left for the exam, I got tensed a little bit and finally managed to reach the room which was indeed in the same building(!) with help from a friend of mine. The confusions didn’t stop with this. As soon as I completed the exam, the mark I had scored got displayed on the screen. Since I didn’t know what the cut-off was for clearing the exam, I wasn’t sure whether I had cleared the exam or not! Everyone had their own say as to what the cut-off mark was! I finally found out that I had indeed cleared the exam! To ‘celebrate’ it and to take a break from all these confusions, I took a day off and it was total masti at home on Wednesday. 🙂
It’s back to confusion-free days now. I went to Sanjay’s concert yesterday evening. The Nattakurunji that he sang! Wow!
Now here’s what’s going to make this week the best one: I AM GOING TO WATCH GURU TODAY EVENING!!!!

Concerts – Part 4

Rithvik Raja on 30/12/2006 at Sivagami Pethachi Auditorium (Brahma Gana Sabha)
Rithvik Raja is T.M.Krishna’s student and you can spot him on the stage with TMK in all his concerts. After going to too many concerts of TMK, I went to Rithvik’s concert just to see how he sings. I must say I was not disappointed. He sang quite well. Starting with Sahana varnam, he then sang Rama Neepai in Kedaram. After a neat alapana of Varali, he sang Seshachala Nayakam. Neraval was done at the line Aravindapatra Nayanam. The main piece was PuNNiyam Oru Kodi in Keeravani raagam. Rithvik concluded the concert with Tirupati Venkataramana in Sindhubhairavi.

Saketharaman on 30/12/2006 at R.A.Puram Bhakta Jana Sabha
I had gone to Saketharaman’s concert at Music Academy last year and it was pretty good. This concert was also equally good. Starting with Saveri varnam, after a couple of songs, he sang a Tyagaraja kriti in Subhapantuvarali after a raaga alapana. Saraguna Palimpa in Kedaragowlai was the one chosen for elaboration. But for the slip at one point when putting the swarams at the line Varaguna Seshadri, he sang it quite well. After Om Namo Narayana in Karnaranjani, the concert concluded with a beautiful Tillana in Madhuvanti. Akkarai Subbalakshmi on the violin was very good.

Carnatica Brothers on 31/12/2006 at Raga Sudha Hall (Naada Inbam)
This is the first time I am listening to the Carnatica Brothers sing. I liked Ganesh’s voice more than Sashikiran’s. I had to again listen to Saveri varnam in this concert too. Ne Jesina Neramu in Poornachandrika, Sooryamoorthy in Sowrashtram, Ini Enna Pechirukkudu in Sahana and a song in Begada were the ones I liked very much in this concert. Devi Brova in Chintamani raaga was the main piece of the concert. Though the concert was good, their singing didn’t impress me enough to make me go to another concert of theirs in the near future.

Happy Birthday Rahman!

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As I look back, A.R.Rahman’s music has been there with me at all times in my life. Be it celebrating a moment of success or brooding over a failure or just relaxing, it is Rahman’s music that has been a constant companion to me. I can think of many instances when I have felt a bit low and cheered up immediately after listening to Rahman’s music. Only his music has that magic.

Right from Chinna Chinna Aasai to Barso Re, there is something special about each and every song. When you want to get up, dance and enjoy your life, I don’t think any other song can come near Humma Humma, Fanaa, Lose Control or Thee Thee (I can list many more!). At the same time, if you take some of his sweet melodies with a tinge of sadness like En Kadhale or Idhuthaan Vazhkkai Enbadhaa (Puthiya Mugam) you will be able to relate to the feelings of the characters even without the lyrics! Didn’t the music of Telephone Manipol sound so beautiful even without lyrics when it came as just background music in Roja? Talking about BGM in Rahman’s movies, there are a quite a few BGM for which alone you can watch the movie. The BGM that comes in Bombay when Arvind Samy sees Manisha in the bus (It goes like Pa Sa Ni Sa Ni Sa), So Gaye Hain (from Zubeida) as a BGM again in Bombay, the one in Alaipayuthey that comes whenever Shalini and Swarnamalya are shown, Munbe Vaa as a BGM in Sillunu Oru Kadhal when Suriya first sees Bhoomika, the BGM in Swades everytime Sharukh and Gayathri are shown. The list is endless!

I recently got hooked on to one of Rahman’s oldest compositions, the Spirit of Unity Concert title music. The moment I hit the Play button I lose track of the number of times the track gets played. The play count in my Player reads more than 500 times! The freshness or magic or whatever you call it has not been lost in all these years! His present compositions too have the same magic that was there in his earlier compositions. I am amused when some people say they feel the quality of Rahman’s music has come down over the years.

Recently when I was asked by someone what I do to motivate myself, I said I listen to Rahman’s music! I don’t know why but my efficiency almost doubles up when I listen to his music! I wonder what is it that is there in his music that fascinates me so much. I don’t think I can ever find the right kind of words to describe his music.

May he be blessed with a long musical life and may all the millions of his fans continue to be blessed enough to listen to more and more musical creations of this musical genius!

Happy Birthday Rahman!

Good Morning!

It’s that time of the day again when my mailbox has started getting flooded with mails wishing me Good Morning. From where did people get this idea of sending forwards wishing people Good Morning along with lengthy inspirational quotes? And today being Friday, I will soon be getting mails saying its Friday today and it’s time to enjoy the weekend. After getting too many mails like this, I too will forward some of them since I don’t want anyone’s mailbox to be empty when my mailbox is full of mails of these sorts. 😛 Here’s wishing all the readers of my blog a very good morning and a great weekend minus all the inspiring quotes and poems.

Concerts – Part 3

Guitar Prasanna on 28/12/2006 at Bharatiya Vidya Bhavan
Prasanna started the concert with Nattakurunji varnam. He was accompanied by J.Vaidyanathan on the Mridangam and E.M.Subramanian on the Ghatam. After playing compositions in Abhogi, Devaranji, Kapi, Jayantasena, Kedaragowlai and Sindhubhairavi, he played an alapana of Harikambhoji raagam and did a raaga bedham at madhyamam and played Mohanam. After this he played Raghuvamsasudha after someone in the audience asked him to play it. While playing Kalyani alapana he did a graha bedham and played raagas Harikambhoji, Karaharapriya and Sankarabharanam. Talli Ninnu Nera, a composition of Syama Sastry was the one he played in Kalyani. After playing Vanchatonuna in Karnaranjani, again an audience request, he concluded the concert with ‘Bowling for Peace’, that he termed as neither a varnam nor a kriti but just a piece of music that he had composed for his album, Electric Ganesha Land’.

Guitar Prasanna on 30/12/2006 at Sivagami Pethachi Auditorium (Brahma Gana Sabha)
In this concert, Prasanna was accompanied by Mannargudi Easwaran on the Mridangam and Purushotthaman on the Khanjira. The highlight of this concert was the Raagam Taanam Pallavi in 4 raagams that he said he had composed only on the previous evening. The pallavi was Anandam Sachchidaanandam Paripoorna Brahmosmi where Anandam was in raaga Revathy, Sachchidaanandam in Hamsadhwani, Paripoorna in Hindolam and Brahmosmi in Mohanam! The composition was superb! The tani avartanam was one of the best that I have heard in the season. After the Tani, Prasanna said in all his concerts people left only after the Tani Avartanam! Some of the other songs that he played are Nannuvidachi in Reetigowlai, Endaro Mahanubhavulu, Alaipayuthey. He ended this concert also with ‘Bowling for Peace’.

I enjoyed both the concerts very much. Does the fact that not many people turned up for both his concerts inspite of Prasanna playing so beautifully show that still not many like to hear Carnatic music played on guitar?

Concerts – Part 2

Sangeetha Sivakumar on 24/12/2006 at Rani Seethai Hall (Kalarasana)
Though my initial plan was to go only to Sanjay Subrahmanyan’s concert at Rani Seethai Hall at 6.15 pm after attending Sowmya’s concert for an hour at Music Academy, my plan changed thanks to Sowmya deciding to postpone her concert that day due to a bad throat. I reached the place when Sangeetha was finishing a kriti in Kalyani. After singing Vinaraadana in Devagandhari, she started the Keeravani alapana, the raaga chosen for the main piece of the evening. She sang Tyagaraja’s composition, Kaligiyunte with neraval and swarams at the line, Baguga Sri Raghunathuni Padamula. After one more song, she wound up the concert with Khamas Tillana. I liked this concert of hers more than the one at Academy.

Nithyasree Mahadevan on 25/12/2006 at Music Academy
I missed the first one-hour of the concert. Nithyasree was singing Kaya Roshanesham in Abheri when I entered the auditorium. Here’s the partial list of songs:
1. Anandutanu – Jingala
2. Maamava Satatam – Jaganmohini (Main piece of the concert)
3. Maalon Maruganai (Viruttam) & Koovi Azhaikka Koodaathaa – Sindhu Bhairavi
4. Begada – Raagam Taanam Pallavi
She sang the pallavi in raagas Vasantha, Atana, Hameer Kalyani, Varnaroopini
5. Tum Bi Kaun Khabar – ?
This happens to be the third concert of Nithyasree’s that I went to in this Season. I don’t know why but I didn’t enjoy any of her concerts as much as I used to earlier. Initially I thought since it has been more than a year since I last went to her concert, I should go to one more Nithyasree’s concert and see. But I got a bit bored too during her concerts! But the fact that the auditorium was jam-packed shows that not everyone felt the same way as I did.

P.S.: I am not writing about any of Sanjay’s or TMK’s concerts now since I have reserved the best concerts for the last!